Chapters · East Blue › Baratie

Chapter 55: Jungle Blood

Summary

The chapter opens with the Buggy cover splash (page 1, Part 15: “Oh Captain, You’re in Our Hearts”) — Mohji, Cabaji, and the small Buggy-officer with the curly hair gather around a wooden grave marker topped with Buggy’s pirate-captain hat. The Buggy-survival cover-story arc has split: Buggy is still alive (last seen in a giant clam, Ch. 50 cover), but his crew has erected a memorial believing him dead. Dramatic-irony cover sub-plot installed.

On page 2 the chapter cuts to the Baratie: Krieg’s officer formation parts in panic as a giant disc-shaped figure — Pearl — registers a small bleed (‘BLOOD!!?’, page 2 panel 1). His fellow Krieg-Pirates rush to defuse: ‘TAKE IT EASY, PEARL!! PLEASE!!’ / ‘NOW, PEARL, IT’LL BE OKAY!!’ / ‘IT’S JUST A BLOODY NOSE!! IT’S NOT A BATTLE WOUND OR ANYTHING!!!’ On page 3, Luffy and Sanji register the strangeness (‘IS IT THE BLOODY NOSE!? WHAT’S THIS? HE’S ACTING WEIRD…’). Pearl wails ‘THIS GUY IS DANGEROUS!! MY INVINCIBLE SHIELD FAILED!!’ (page 3, panel 1). His fellow officers shout: ‘YOU’RE NOT IN THE JUNGLE ANYMORE!! STOP, PEARL!! IT’S JUST A LITTLE BLOOD!!’ (page 3, panels 3-4) / ‘PEARL, CALM DOWN!!’ (page 3, panel 5).

Pearl ignites — a ‘FWOOSH’ erupts from his armored body and a wall of fire rolls out across the Baratie deck (page 4: ‘AAAAAH!!!’ / ‘FIRE!!?’). The Krieg-Pirate exposition delivers Pearl’s backstory (page 5, panel 1): ‘WHEN HE SENSES DANGER HE MAKES FLAMES!!! PEARL GREW UP IN THE JUNGLE WITH WILD BEASTS. OH NO, THE FIRE!! IT’S A DEFENSIVE HABIT HE DEVELOPED AS A CHILD!!!’ The Pearl-character is now psychologically explained: he is a jungle-raised armor-tank whose flame-deployment is a trauma-response — bleeding triggers fear, fear triggers fire. Pearl, screaming, names his attack (page 5, panel 3): ‘“FIRE PEARLS”…!!! GET AWAY FROM ME!!’ — small black bulb-pearls on his armor erupt with ‘FWIK FWIK!!’ SFX.

On page 6 Pearl crosses the deck (‘WHOOOOO “LUCKY YOU” !!!’) in a fire-storming bull-rush; his armor heats up and burns himself (page 6, panel 2: ‘OUCH!! HOT!!!’). Page 7: ‘PEARL, PLEASE STOP!!! FWOOSH!!’ / ‘YOW! HOT HOT HOT!!!’ — the Krieg officers themselves are now afraid of their own crewmate’s fire. Pearl declares his identity-axiom (page 7, panel 3): ‘WITH MY FIRE AND MY FLAMING SHIELD, I’M SUPER-INVINCIBLE!!!’ The Baratie cooks panic (page 7, panel 4: ‘HE’LL CATCH OUR RESTAURANT ON FIRE!!’ / ‘THIS IS BAD!!’; page 7, panel 6: ‘YOU’LL BURN THE WHOLE SHIP!!’; ‘PEARL, YOU FOOL…’).

Page 8 — wide establishing panel of the burning Baratie surrounded by sea: ‘WHOOOOSH’ / ‘WE’RE DOOMED!!! WE’RE CAUGHT BETWEEN FIRE AND SEA…’ / ‘THERE’S NOWHERE FOR US TO GO!!!’ The cooks debate: ‘JUMP INTO THE OCEAN!!’ / ‘THE HEAT!! THIS IS BAD!!’ The bottom-row of page 8: Sanji walks into the fire-zone (‘SPLOOSH!!’ — debris falls; ‘FOOL!! YOU’LL BE BURNED ALIVE, CRAP-SANJI!!’ — Patty shouts; ‘WHY, YOU…’ / ‘WE CAN’T GET NEAR HIM!!’ — Pearl from inside the fire-wall). Page 9: Sanji silhouette in the fire — ‘THIS SHIP ISN’T YOURS TO BURN!!!’ — Sanji kicks Pearl’s chest-shield (‘KER-WHAK!’) and Pearl staggers (‘UNGH!!’).

Page 10 — the cook-at-sea doctrine articulated as combat rationale. The crowd reacts: ‘WHAT?! NOT EVEN WILD ANIMALS WOULD JUMP THAT WALL OF FIRE!!’ / ‘DOES HE WANNA BE A HUMAN BONFIRE!? WHAT KIND OF FOOL MOVE IS THAT?’ Sanji answers (page 10, panel 2-3): ‘MORON. YOU CAN’T BE A COOK… IF YOU’RE AFRAID OF FIRE!’ Pearl strikes — ‘FWERR’ — but Sanji’s armor-comment: ‘THIS ONE’S SMOOTH AS POLISHED SILVER!! DARN!!’ (page 10, panel 4-5).

Page 11 — Pearl winds up a named attack: ‘“FLAMING PEARL SURPRISE!!!”’ (top panel, ‘FOOOM!! WIP!!’). Sanji counters — ‘CHAK!!’ (close-up of Sanji’s clack-clack belt-buckle as he sets his stance, three drops of sweat visible). Page 12: Pearl’s wide-eyed face reels back — ’…AK.’ / ‘WHOA!!! HE DID IT!!!’ / ‘HE GOT PAST INVINCIBLE PEARL’S SHIELD!!!’ The bottom-half of page 12 is Pearl in mid-air recoil (‘NRANG…!!!’) and the next-panel reaction: ‘BUT THIS IS REALLY BAD!!! THAT’S ONE TOUGH COOK!!!’ — Sanji walks calmly through the smoke, cigarette unbroken, ‘Sheen’ lip-glare-light on the right side of his face.

Page 13 — Pearl recovers and re-deploys his Pearls of Fire (‘EAT PEARL’S PEARLS OF FIRE!!! DANGER!!! BIG DANGER!!!’, panel 1) — Pearl’s pearls fire from both wrists. ‘UMFF!! MRFB!! HOW DARE YOU!!!’ The deck explodes in flame (‘FWOOM’ / ‘NOOOM’). A cook shouts (page 13, panel 4): ‘IF THE FIRE REACHES THE GALLEY, IT’LL BLOW!!’ / ‘WAAAH!! HE’LL BURN THE SHIP!!’ The bottom panel of page 13 cuts to Zeff in close-up (peg-leg silhouette, cigarette-impression mouth): ‘CHEF ZEFF!! RUN FOR IT!!!’ shouted at him.

Page 14 — Zeff doesn’t run. He performs a one-legged spin-kick in place that emits a giant ‘WOOSH!!’ of air-force from the sole of his standing foot (top panel — ‘klomp klomp.. klomp.. WHAT!!?’). The kicked-out air rolls across the deck and extinguishes Pearl’s fire-wall (page 14, panel 3-4: ‘FWOOOSH’ / ‘WHOA!! HUH!?’). Zeff (page 14, bottom panel): ‘EVEN WITH ONE LEG, THAT WAS NOTHIN’.’ Page 15, top row: Luffy claps (‘NICE MOVE, MISTER!!’); the cooks react in stunned awe (‘IT’S A MIRACLE!!! “RED SHOES” ZEFF IS ALIVE AND KICKIN’!!’ / ‘HE PUT OUT THE FIRE WITH A BLAST OF WIND FROM HIS KICK!!’ / ‘HOORAY!! YOU’RE AWESOME, CHEF!!’). Zeff growls (page 15, panel 3): ‘BEFORE YOU CAN SET FIRE TO THAT SHIP… THAT PEARL, ALWAYS COMPLICATING THINGS!!’ Pearl, from the smoke (page 15, panel 5): ‘I’LL SINK YOU, FINS AND ALL!!!’

Page 16 — Pearl charges again — ‘GLIM-GLIM…!!’ (the Pearls of Fire on his armor glowing) / ‘UROOM!!’ — and looses a giant ‘BAZOOKA!!’ of fire-pearls at Sanji (Luffy in the background: ‘CHORE BOY!!’, ‘SANJI, LOOK OUT!!!’; ‘IT’S HOPELESS! HE’S SURROUNDED BY FIRE!!’ / ‘WHAP!! H-HOT…!’). Sanji is engulfed in the bazooka — ‘WUNK..’. Page 17: the next panel reveals Sanji has caught Pearl’s bazooka-pearl on the soles of his feet and rebounded it back (‘VWOOOOO’ / ‘WAP WAP’ / ‘HOT, HOT…’) — ‘HE BOUNCED IT BACK!!’ The bottom of page 17: Pearl in the explosion-cloud, mid-air recoil — ‘KRASH!!!’ — the chapter ends mid-launch. The fight’s resolution is the next chapter’s payload.

Page 18 is the Q&A column with a Sanji bust-portrait header: (Q1) ‘Why do Sanji’s eyebrows circle up at the ends?’ — Oda’s joking cosmological non-answer that nonetheless acknowledges the curl is deliberate and characteristic; (Q2) ‘How old is Sanji?’ — ‘19 years old, just like Zolo.’; (Q3) joke reader-challenge over Nami; (Q4) Oda has four assistants who work two nights and three days per week.

New reveals

• Pearl — new Krieg-Pirates officer introduced on-page (pages 2-3). Two large iron shield-discs (chest + back), large pearl-shaped armor-plates on shoulders and arms, bandanna with a crescent moon centered on the forehead. Self-styled epithet: ‘Invincible Pearl’. Named techniques: ‘Invincible Shield’ (page 3 panel 1), ‘Fire Pearls’ / ‘Pearls of Fire’ (page 5 panel 3, page 13 panel 1), ‘Flaming Pearl Surprise’ (page 11). Combat archetype: armor-tank + fire-thrower hybrid. The chapter installs him as the Krieg-Pirates first officer to face the Straw Hats in extended combat (Krieg himself is still off-frame).
• Pearl’s jungle-trauma backstory (page 5, panel 1): ‘Pearl grew up in the jungle with wild beasts. When he senses danger he makes flames!!! It’s a defensive habit he developed as a child!!!’ The chapter’s title — ‘Jungle Blood’ — refers to this. His combat-grammar is trauma-response: bleeding triggers panic, panic triggers fire-deployment. A nosebleed triggers a fleet-burning panic.
• Pearl’s ‘Invincible’ axiom is falsified within the chapter that introduces it (pages 11-12). Sanji’s counter-kick on page 11 gets past the Invincible Shield (page 12 panel 1: ‘HE GOT PAST INVINCIBLE PEARL’S SHIELD!!!’) — the vanity-axiom-immediately-falsified villain-pattern fires again (cf. Krieg’s ‘mightiest of all’ claim, Morgan’s ‘I am the law’ claim, Kuro’s perfect plan).
• Sanji’s first sustained combat sequence (pages 8-17). Every Sanji strike in the chapter is a kick — the all-kick, no-hands doctrine inherited from Zeff is here demonstrated in extended combat for the first time. The Ch. 43 single-punch K.O. of Fullbody was a fist; the Ch. 55 Pearl-fight is the kick-style in its first long-form on-page deployment. The Black Leg style is operationally on-page (though the name Black Leg is not yet used).
• Sanji’s cook-at-sea doctrine as combat rationale (page 10, panel 2-3): ‘MORON. YOU CAN’T BE A COOK… IF YOU’RE AFRAID OF FIRE!’ The Ch. 43 ‘cook-at-sea’ axiom is here operationalized as the combat-rationale for charging through a wall of fire — Sanji’s identity-as-cook authorizes his willingness to take the fire-risk. The cook-as-fire-master sub-doctrine: a cook is by definition unafraid of fire (the kitchen is fire; the cook has lived in fire).
• Zeff’s first on-page combat feat as Red-Leg-Zeff (page 14). One-legged spin-kick produces a blast of wind that extinguishes Pearl’s fire-wall across the entire deck. The cooks react with ‘IT’S A MIRACLE!!! “RED SHOES” ZEFF IS ALIVE AND KICKIN’!!’ / ‘EVEN WITH ONE LEG, THAT WAS NOTHIN’.’ — confirms that the Krieg-cited Red Shoes Zeff combat tier (Ch. 48) is still operational despite the missing leg. The Ch. 47-48 reputation-only Red-Leg-Zeff now has an on-page combat demonstration. The kick-extinguishes-fire-via-air-pressure technique is the same body of physics the Black Leg style will later use (Sanji’s eventual Diable Jambe and Bien Cuit will use kick-air-pressure as the delivery mechanism). The chapter installs Zeff’s kick-tier on the same page as Sanji’s kick-tier — master-and-disciple kick-style juxtaposed.
• Sanji’s somersault-rebound technique (page 17). Sanji catches Pearl’s Bazooka-Flaming-Pearl on the soles of his upturned feet (mid-handstand or mid-somersault) and bounces it back to its sender. The projectile-rebound-with-feet technique is the chapter’s signature Sanji-combat-tell — the body-as-bouncing-surface using only the legs. Forward-payoff: the kick-rebound mechanic recurs across later Sanji fights (Mr. 2 Bon Clay, the Wano Queen-fight).
• Pearl’s self-deployed fire burns himself (page 6, panel 2: ‘OUCH!! HOT!!!’). The villain’s signature attack is incompletely controlled by the villain — the self-inflicted-damage villain-tell is established. Pearl is the chapter’s foolish-villain counter to Mihawk’s calm-strongest-villain — the Krieg sub-arc gives the cooks a low-tier opponent to fight while Mihawk-vs-Zoro runs in parallel.
• The Krieg-Pirates officer roster is implicitly expanded. The ‘fellow Krieg Pirates’ calming Pearl (pages 2-5, 7) are named as crew members but individually un-named in this chapter. The officer corps is now: Gin (Ch. 44-49), Krieg (Ch. 45-49), Pearl (this chapter), plus unnamed others. The chapter installs Pearl as the third named Krieg officer.
• Cover-story dramatic-irony pivot (page 1, Part 15). The Buggy-survival cover-arc has split into a second thread: Buggy’s officers — Mohji, Cabaji, and the small curly-haired Officer (Mohji’s-or-Cabaji’s underling, possibly identifiable later) — have erected a grave marker with Buggy’s hat on top, mourning their captain. The reader knows Buggy is alive (Ch. 50 cover). The cover-story arc is now running on dramatic irony — the officers grieve sincerely, the reader holds the captain-is-alive secret. The eventual Buggy-officers-reunion will be played against this memorial scene.
• First Oda on-page acknowledgment of the Sanji-eyebrow curl as deliberate (page 18, Q1). Oda dodges the why but confirms the deliberateness. The eyebrow is the visual marker that will later identify Sanji as a Vinsmoke (the entire Vinsmoke family shares the trait). The chapter is the earliest instance of Oda acknowledging the eyebrow as intentional and characteristic.
• Sanji is 19 years old (page 18, Q2): ‘19 years old, just like Zolo.’ — first on-page age confirmation for Sanji. Same age as Zoro; both are the senior teen-pirates of the early Straw Hat roster.

Notable panels

• Page 1 (cover) — Buggy’s Crew After the Battle Part 15: “Oh Captain, You’re in Our Hearts”: Mohji, Cabaji, and a small curly-haired officer gather around a wooden grave marker topped with Buggy’s pirate-captain hat. Cover-story’s dramatic-irony pivot — the officers mourn while the reader knows Buggy is alive (Ch. 50 cover). The composition is crew-mourning-the-fallen-captain — a funeral tableau.
• Page 2 (top-row panel) — ‘BLOOD!!?’: The chapter’s opening establishing shot of the Baratie deck. Pearl looms in the foreground, two huge shield-discs (chest + back) silhouetted; the Krieg-Pirate officer beside him registers panic at the small bleed on Pearl’s face. The composition is disproportionate-fear-of-blood — the giant armored figure terrified by a nosebleed.
• Page 3 (top-row panel) — Luffy and Sanji bewildered: First side-by-side panel of Luffy and Sanji as audience to the Pearl meltdown. ‘IS IT THE BLOODY NOSE!? WHAT’S THIS? HE’S ACTING WEIRD…’ The composition treats Luffy and Sanji as the chapter’s witnesses before they are its combatants — both are present but not yet in the fight.
• Page 4 (top-full-page panel) — ‘FWOOSH’ fire eruption: Full-page upper-half panel of Pearl’s body erupting in flame, the giant shield-disc on his chest visible as a circular sun-like emblem in the middle of the flame-storm. The composition is Pearl-as-walking-bonfire — the character’s silhouette is a fire-source. The bottom-half wide panel: the Baratie burns, panicked silhouettes flee toward the sea.
• Page 5 (top-row panel) — Pearl’s backstory exposition: Three Krieg-Pirates pose hand-on-mouth in the foreground delivering the ‘Pearl grew up in the jungle’ expository line; behind them, Pearl rears up flailing. The composition is fellow-villains-explain-the-protagonist-villain — the Krieg-Pirates take the expositional-courier role normally given to side-characters. The villain-crew explains the villain to the audience.
• Page 6 (top panel) — ‘OUCH!! HOT!!!’: Pearl’s own fire burns him. The villain whose signature attack damages himself — the foolish-villain tell, in one panel.
• Page 7 (top panel) — ‘WITH MY FIRE AND MY FLAMING SHIELD, I’M SUPER-INVINCIBLE!!!’: Pearl’s identity-axiom in three speech-bubbles spanning the upper-right of the page. The composition is vanity-monologue-in-mid-fire — the villain proclaims his invincibility while his crewmates burn around him.
• Page 8 (top panel) — Wide establishing of the burning Baratie: ‘WHOOOOSH’ — wide-shot of the restaurant in flame, surrounded by water. ‘WE’RE CAUGHT BETWEEN FIRE AND SEA…’ / ‘THERE’S NOWHERE FOR US TO GO!!!’ The composition is between-fire-and-sea — the cooks’ classical no-escape framing.
• Page 9 (top panel) — ‘THIS SHIP ISN’T YOURS TO BURN!!!’ / Sanji’s first kick: Sanji silhouette in the fire, mid-kick, foot at Pearl’s chest-shield. ‘KER-WHAK!’ / ‘UNGH!!’ Pearl staggers. The composition is kick-only-debut — Sanji’s first sustained-combat strike is a foot.
• Page 10 (middle-left panel) — ‘MORON. YOU CAN’T BE A COOK… IF YOU’RE AFRAID OF FIRE!’: Sanji full-frame, blond hair over left eye, cigarette unbroken in the smoke, hand-on-Pearl’s-shield close-up. The composition is the chapter’s most quotable Sanji panel — the cook-as-fire-master doctrine articulated in the middle of a fire. The doctrine and the demonstration co-exist in one panel.
• Page 11 (top panel) — ‘“FLAMING PEARL SURPRISE!!!”’: Pearl’s named-attack splash. The bottom-of-page: close-up of Sanji’s belt-buckle setting his stance, three drops of sweat, ‘CHAK!!’ — the technique-vs-counter-stance compositional grammar. Pearl names the attack; Sanji sets his counter-stance.
• Page 12 (top panel) — ‘HE GOT PAST INVINCIBLE PEARL’S SHIELD!!!’: Pearl’s wide-eyed face reels back; an empty smoke-cloud where his Invincible Shield used to be effective. The chapter’s vanity-axiom-immediately-falsified compositional payoff.
• Page 13 (top panel) — ‘EAT PEARL’S PEARLS OF FIRE!!! DANGER!!! BIG DANGER!!!’: Pearl’s two-wrist bazooka-discharge of small black bulb-pearls, each one erupting in fire. The composition is Pearl-as-Gatling-fire-thrower — the Fire Pearls technique scaled up to mass-fire.
• Page 14 (top panel) — ‘WOOSH!!’ Zeff’s wind-blast kick: Zeff (only the head and the spinning kicked leg visible, peg-leg planted as the standing leg) lashes out a blast of wind across the deck. The composition isolates Zeff’s body and the air-blast — the technique is the panel’s center, not the kicker. The bottom-row panel: Zeff in close-up, cigarette-impression mouth grim, ‘EVEN WITH ONE LEG, THAT WAS NOTHIN’.’ The composition is the chapter’s other quotable doctrinal panel — the master’s understated kick-feat answer to the cooks’ panic.
• Page 15 (middle-left + bottom panels) — ‘“RED SHOES” ZEFF IS ALIVE AND KICKIN’!!’: The cooks’ reaction-line; Patty closes his eyes in admiration; the chapter’s Red-Leg-Zeff-confirmation beat is delivered in the cooks’ words. The composition treats Zeff’s combat-feat as a generational event — the cooks under Zeff’s roof who have never seen Zeff fight witness it for the first time. Bottom-large: Zeff growls ‘THAT PEARL, ALWAYS COMPLICATING THINGS!!’ — the cook-irritated-by-the-fight register is restored. Bottom-right: Pearl screams ‘I’LL SINK YOU, FINS AND ALL!!!’ — silhouette in the smoke, charging again.
• Page 16 (bottom panel) — Pearl’s ‘BAZOOKA!!’: Pearl unleashes the full Pearls of Fire bazooka at Sanji. The composition is fire-wave-engulfs-Sanji. Luffy in the background: ‘CHORE BOY!!’ / ‘SANJI, LOOK OUT!!!’ — the chapter’s Luffy-shouts-the-recruit-target’s-name beat lands here.
• Page 17 (middle panel) — Sanji’s somersault-rebound: Sanji caught the bazooka-pearl on the upturned soles of his feet (the panel implies a handstand or somersault) and bounced it back. ‘VWOOOO’ / ‘HE BOUNCED IT BACK!!’ — Sanji’s signature foot-rebound technique debuts here. Bottom-row: Pearl in the explosion-cloud, ‘KRASH!!!’ — chapter ends mid-rebound-impact.
• Page 18 (Q&A column) — Sanji eyebrow + age + assistants: Q1 is the first Oda acknowledgment of the Sanji-eyebrow curl as deliberate. Q2: ‘19 years old, just like Zolo.’ — Sanji’s age on-page for the first time. Q3: silly reader-duel-challenge over Nami. Q4: Oda has four assistants who help two nights / three days per week. The header art shows Sanji in a celebratory pose holding a presentation tray; he has the same eyebrow-curl pattern the Q1 asks about — Oda has visually re-confirmed the trait on the same page he is asked to explain it.

Mentions / appearances

• Sanji — chapter’s combat protagonist. Walks into the fire-zone (page 8); kicks Pearl’s chest-shield (page 9); articulates the cook-at-sea doctrine as combat rationale (page 10); counters the Flaming Pearl Surprise with a kick that gets past the Invincible Shield (page 11); somersault-rebounds the Bazooka (page 17). Every Sanji strike is a kick.
• Luffy — present as audience throughout the chapter. Speaking roles: ‘IS IT THE BLOODY NOSE!?’ (page 3); ‘NICE MOVE, MISTER!!’ (Zeff’s kick reaction, page 15, panel 1); ‘CHORE BOY!!’ / ‘SANJI, LOOK OUT!!!’ (page 16). The Ch. 50 ‘Chore Boy’ nickname for Sanji is re-used here.
• Zeff — Pearl-cooler intervention. ‘EVEN WITH ONE LEG, THAT WAS NOTHIN’.’ (page 14, panel 6) — the chapter’s Red-Leg-Zeff combat-feat panel. ‘BEFORE YOU CAN SET FIRE TO THAT SHIP… THAT PEARL, ALWAYS COMPLICATING THINGS!!’ (page 15, panel 3).
• Patty — speaking role: ‘FOOL!! YOU’LL BE BURNED ALIVE, CRAP-SANJI!!’ (page 8, bottom panel) — Patty-vs-Sanji friction continues even in the fire-fight. Reaction-line participant during Zeff’s combat feat (page 15).
• Carne — implicitly present in the cook reaction lineups (page 7 ‘YOW! HOT HOT HOT!!!’, page 13 ‘WAAAH!! HE’LL BURN THE SHIP!!’). Not individually named in dialogue this chapter.
• Pearl — first appearance, first naming on-page. Massive armored Krieg-Pirates officer with two iron shield-discs (chest + back), pearl-shaped armor-plates on shoulders and arms, bandanna with crescent-moon on forehead. Self-styled ‘Invincible Pearl’. Named techniques: ‘Invincible Shield’, ‘Fire Pearls’, ‘Pearls of Fire’, ‘Flaming Pearl Surprise’. Backstory: raised by wild beasts in the jungle, fire-deployment is a trauma-response to blood/fear. Single Krieg-officer appearance to date.
• Unnamed Krieg-Pirates officers — pages 2-5, 7. Deliver Pearl’s backstory exposition (page 5: ‘Pearl grew up in the jungle…’); attempt to calm him (‘PEARL, PLEASE STOP!!!’); recoil from his fire (‘YOW! HOT HOT HOT!!!’). Visually distinct (one with sunglasses-and-headband, one with a coif, one with a pointed hat) — implicit Krieg-officer corps. Not individually named this chapter.
• Buggy — cover-story only (page 1). Part 15: ‘Oh Captain, You’re in Our Hearts’ — Buggy is not on-page on the cover; the cover shows the memorial to him.
• Mohji — cover-story appearance (page 1). On the cover splash mourning Buggy at the grave-marker. First cover-story appearance of Mohji since the Buggy-arc.
• Cabaji — cover-story appearance (page 1). Checkered-cape figure mourning Buggy at the grave-marker. First cover-story appearance of Cabaji since the Buggy-arc.
• Unnamed third Buggy-officer (cover, page 1) — small curly-haired figure with sunflower-emblem in dark stripes; mourning Buggy at the grave-marker. Possibly identifiable later in the Buggy crew roster.
• Krieg Pirates — on-page via officer-class fighter (Pearl) + unnamed officer corps. The arc-villain crew’s officer roster gains a named officer (Pearl).
• Baratie Cooks — present throughout as audience and combat-supporters; Zeff performs a combat feat as the head chef; Patty present in reaction-line and shouts at Sanji.
• Buggy Pirates — cover-story only.
• Baratie — chapter’s setting; on fire throughout the chapter.
• East Blue — implicit setting via the Baratie’s location.
• Zoro — off-page entirely this chapter. The Mihawk-Zoro duel established in Ch. 50 is implicit-parallel-action; not cut to.
• Mihawk — off-page entirely this chapter. As above.
• Nami — off-page entirely this chapter. The Nami-departure-with-the-Merry plot is suspended for this chapter.
• Usopp — off-page entirely this chapter.
• Krieg — off-page entirely this chapter. Pearl is the on-page Krieg-Pirates representative.
• Gin — off-page entirely this chapter.